The Crown Season 4 unfairly portrays Prince Charles as a “villain” says former press secretary

The Crown’s head writer has already defended his use of dramatic license this year

Prince Charles at Clarence House in October 2020
(Image credit: Photo by Victoria Jones - WPA Pool/Getty Images)

The Crown Season 4 has once more placed the relationship between Prince Charles and the late Princess Diana in the spotlight. 

The Prince of Wales may not have watched Netflix’s hit drama, but the events it portrays have certainly got us talking. And it’s not just fans who are questioning the show’s accuracy.

Princess Diana’s younger brother, Earl Spencer has recently spoken about refusing a request from The Crown and of how viewers all too easily mistake the show for fact. Now Prince Charles and Princess Diana’s former press secretary Dickie Arbiter has spoken out about his dislike of the show’s use of dramatic license.

But what exactly has he said about the show’s portrayal of the Prince of Wales?

What has been said about Prince Charles in The Crown?

Having worked for the Royal Family for 12 years, Arbiter spent time as the Queen’s press secretary as well as working in the Wales’ media department. 

It was during this time that he grew close to the Prince and Princess of Wales. As someone who knows them so well, it’s perhaps no surprise that he revealed to Times Radio his dislike of The Crown’s portrayal of the prince.

Arbiter spoke of how Charles had been painted as a “villain” by the show, blaming the “excessive” use of “dramatic license” taken by The Crown’s head writer and producer Peter Morgan.

Prince Charles with his press secretary, Dickie Arbiter, boarding a boat during a tour in Canada

(Image credit: Photo by Tim Graham Photo Library via Getty Images)

Defending the prince, Arbiter continued: “He’s not a villain. He never has been a villain”. He added that Peter Morgan has “portrayed characters whom I don’t know” and reaffirmed his experience, stating: “I spent 12 years at the palace... and these are not the people I knew.”

How accurate is The Crown?

Peter Morgan has already faced criticism for The Crown’s portrayal of the relationship between Prince Charles and Princess Diana, especially with regards to the Camilla Parker Bowles storyline. The Duchess of Cornwall has since received comments from online trolls who believed the version of events shown in the show. 

Morgan has spoken out in defence of the dramatic license taken on The Crown. Many scenes - like the well-publicised one including Lord Mountbatten’s final letter which supposedly urged Prince Charles to move on from Camilla - are entirely fictionalised.

Charles and Diana, Prince and Princess of Wales, pose outside Chateau de Chambord during their official visit to France on November 9, 1988

(Image credit: Photo by Georges De Keerle/Getty Images)

Last week, Morgan responded to claims that he was re-writing history. He reportedly said he “made up in [his] head’ details of the final conversation between Prince Charles and his mentor. However Morgan told the official Crown podcast that “based on everything that I’ve read and people I’ve spoken to” the letter “represents [Lord Mountbatten’s] view”.

Whilst many might continue to disagree with the show’s portrayal of history, it’s certainly got viewers across the world hooked. The Crown Season 4 is available on Netflix.

Emma Shacklock
Emma Shacklock

Emma is a Senior Lifestyle Writer with five years experience working in digital publishing, ranging from book publishing to magazines. She currently looks after all things Lifestyle for Woman&Home, GoodToKnow and My Imperfect Life.


Before she joined Future Publishing, Emma graduated from the University of Warwick with a Bachelor of Arts degree in English and Comparative Literary Studies. After leaving education, she started out her publishing career in the world of books, working as a Publisher for an independent digital publisher specializing in back-list and debut commercial fiction novels. With a huge book list and a passion for bringing the best stories to the broadest audience possible, Emma filled her spare time with reading the latest best-sellers and catching up on hit adaptations.


In 2017 she joined TI Media as a fiction writing coordinator on Woman’s Weekly and Woman’s Weekly Fiction as part of the features team. From here, she used her love of books, working to bring short stories to our dedicated readers and began writing for the books pages of Woman, Woman’s Own and Woman&Home, as well as online features ranging from genre round-ups to travel pieces for womanandhome.com. 


After honing her skills, Emma branched out online in 2020 when Future gave her the opportunity to focus on digital-first. When she’s not writing about the next big lifestyle trend, she enjoys cooking, long walks and watching as many crime dramas as she can!