Theatre: Breakfast at Tiffany’s
It's a brave man who takes on the challenge of transposing Truman Capote's classic novella to the stage, it having been immortalised forever by Audrey Hepburn in Blake Edwards' 60s film. Samuel Adamson, whose previous works include Grace Note and Clocks and Whistles, has given it his best shot but, sadly, it's not a patch on the film (although, honestly, what could be?).
But it isn't a complete write-off either. Adamson has chosen to stay true to Capote's original, portraying the infamous Holly Golightly as a charming, money-grabbing good-time girl who strings along millionaire after billionaire, refusing to succumb to the true feelings of her heart. But whereas in the film she sees the light and runs into the arms of the poor writer William ‘Fred' Parsons, the stage show ending is less forgiving.
Anna Friel (Pushing Daisies) steps into Hepburn's shoes with enthusiasm giving an irresistible performance - which is helped along by her seemingly never-ending wardrobe of stunning dresses. William is played by the good-looking Joseph Cross (Milk), and although he's a treat for the eyes too, and gives an equally enjoyable performance, the chemistry between the two could, at times, do with being more convincing.
Reviews so far have been mixed - even in our office we can't quite decide. The best thing to do is to go see it for yourself but get your tickets soon because they're selling out fast.
Theatre Royal Haymarket, London
